Ben Gilbert

Ben Gilbert, Principal Software Engineer

We chatted to Ben Gilbert, principal engineer, about his work at Global Graphics Software:

How did you come to work at Global Graphics Software?

I joined Global Graphics Software following a ten-year career in the Royal Air Force. I had always been interested in computers and programming so I decided to make this my career upon leaving the service.

What has been your career path since joining Global Graphics Software?

I joined as a technical support engineer, providing first line support to our gDoc Application Platform (GAP) SDK customers. I also started developing sample code and automated test harnesses for the GAP team to use.

I then moved into a software development engineer in test role, where I became responsible for all test automation within the applications team across all products.

I became a full-time software developer on the applications team and worked on our GAP SDK as well as a short time working on our gDoc Core (now Mako) SDK.

I then moved to the Technical Services team, as a senior software engineer, where I was involved in many customer-driven projects – working directly with our customers’ engineering teams.

My current role as a principal engineer is to architect solutions for our customers and be responsible for design, implementation and delivery against tight deadlines.

Most recently, I have been working on our ScreenPro™ Direct solution. This began as a single customer project, with the goal of driving print data to hardware in real-time. It has now matured into a product being used by multiple customers.

How long have you worked here?

Five years.

What is the environment like?

Relaxed and informal. We are trusted to perform our work to the best of our ability, so there is little micro-management.

What is the most exciting thing about your work?

Helping our customers solve real-world problems and helping them ship their products faster. It’s a good feeling knowing that our customers are running code from Global Graphics Software, that is allowing them to achieve their vision and business goals.

What keeps you here?

The people I work with day to day, plus the freedom to make decisions (and learn from mistakes). Career progression is very good. If you make it known where you want to go, Global Graphics Software will try it’s best to get you there.

 

If you’re interested in joining Global Graphics Software visit our web page to find the latest vacancies: www.globalgraphics.com/careers

Matt Gosnell

Matt Gosnell, IT Director at Global Graphics Software

Here, Matt Gosnell, IT Director, tells us about life at Global Graphics Software:

What is your background?

I started my career in IT because my mother said I needed to get a job! I studied photographic and digital media at Anglia Ruskin University but had always had an interest in computers. As a child, my best friend’s dad was a computer engineer and playing games in the early 90’s was my childhood. By my late teens, I was building my own computers and was more interested in gaming and the digital side of my degree than being in the darkroom.

My first job in IT was at Bassingbourn Village College – I was the onsite technician who helped diagnose a variety of IT problems. It was a great start and I learnt a lot ‘on the job’. After a couple of years I moved on to an IT support company, where I would visit all kinds of companies for onsite assistance. Every day brought a new problem to solve. It was hard work but again I learnt a lot. In 2009 the excitement of a new environment each day wore off and I decided to make a jump to an internal IT department where I could make a difference long term, that’s when I joined Global Graphics Software.

What’s been your career path since joining Global Graphics Software?

I started working at a junior level in a team of four. After two years, I was promoted to manage the team. We were a much bigger company then and it was back in an era where you had to go to IT to get stuff done – it was a very busy department. I’ve since grown with the company, taking on more responsibility over the years and have been IT director for almost three years now.

Today, the company is very different; instead of having a single company to look after we also have our sister companies – so it’s a challenging environment. My goal is to try and achieve more consistency in IT among all the businesses.

What’s the best thing about working at Global Graphics Software?

For me the best thing about working here is that I’ve been given the opportunity to grow. I’ve always worked hard and strived to better myself and Global Graphics has encouraged me to do that. I’ve been on a fair few IT training courses over the years. Nowadays I try to go on a course once a year to keep my skills sharp.

What is the environment like?

It’s very friendly and has a flat management structure, i.e. we all sit amongst each other, whether management or not.

What is the most exciting thing about your work?

For me the most exciting thing is being at the forefront of IT technology. I have to keep abreast of technological change and how this can benefit the businesses that I represent.

Are there any big projects you’ve been involved with?

I’ve been involved in many big projects mainly because IT tends to be at the heart of the business. For example, we’ve moved offices, both in the UK and abroad, developed cloud and disaster recovery solutions, as well as integrated purchased business into the Global Graphics Group.

Do you take part in any social activities?

I’ve been part of the Global Graphics cycling group. We did quite a few London to Cambridge cycle rides. I also enjoy taking part in The Shed, a creative environment where we are free to work on projects to learn new skills. I am an active lead in my own project and am currently building a temperature-controlled fan array using an Ardunio Uno. As a result I’m learning all about electronics!

What keeps you here?

My job has changed so much over the last ten years and this has meant I’ve never had time to get bored. I’ve been given more responsibility and the opportunity to progress, and of course IT has changed so much, it has kept me on my toes. I’m given plenty of support, but I’m also trusted to make decisions on my own.

I have the freedom to develop as I’ve still got a lot to learn about directing a business in its goals. As the company grows my role grows – I have more to manage. My aim is to continue to grow. I’m in control of where we’re going and that’s a positive for me.

 

If you’re interested in joining Global Graphics Software visit our web page to find the latest vacancies: www.globalgraphics.com/careers

Lesley Whitfield

Lesley Whitfield, software developer at Global Graphics Software

We chatted to Lesley Whitfield, software developer in our Wilmslow office, about her work at Global Graphics Software:

What is your background?

I was always interested in maths and science then discovered engineering at university, eventually ending up with an Open University degree in maths and electronics.

How did you come to work at Global Graphics Software?

I was looking for a new challenge after working on a smaller product.  Although I was also offered the opportunity at the time to be a bigger fish in a smaller pond, I chose the more technically interesting job at Global Graphics Software.

What were you doing before?

A whole range of jobs from stress analysis in the aerospace sector, instrument safety, embedded software for smart meters, to software for direct mail.  Before joining Global Graphics Software 18 years ago I tended to move on to something new every couple of years.

What’s the best thing about working at Global Graphics Software?

Working in a highly motivated and skilled team that is serious about doing the best possible job.

What has been your career path since joining Global Graphics Software?

I joined as a software developer helping out with our color management technology including some of the more mathematical aspects. Later I wrote the color interpretation code for XPS (one of the Page Description Languages we support), then was lucky enough to join the PCL team from the start. This allowed me to play a significant part in interpreting the specification and designing the way the PDL code interacts with our underlying core technology, which in turn was very useful when I was part of the team trying to speed it up. I have swapped back and forth between a couple of teams, tending to specialize in one or two main areas but helping out where required including, unusually, a stint as developer in support. The last six months I have been excited to work on our Harlequin VariData solution where it is possible to make a very big difference to performance and hence the customer experience.

What is the environment like? 

Hardworking, friendly and helpful. Ideas are discussed on their merits so everyone has a chance to contribute. Developers have a good relationship with QA who take an active part in our scrums, and also with support. Working hours are fairly flexible and evenings and weekends are respected. The office can be a little quiet sometimes, but everyone is willing to discuss technical issues and most people are up for a chat in the kitchen. We are small enough to get to know people across the company. There are various social events throughout the year.

What is the most exciting thing about your work?

Probably knowing that the software I’m writing today will soon be allowing huge presses all over the world to operate accurately and at high speed.

What projects have you been involved with?

The most exciting project I was involved with was when we had six months to make our embedded RIP go three times faster across a wide range of jobs.  This was incredibly challenging but as a team we were determined to do it, and thanks to our ingenuity and diverse skill set we succeeded!

Have you taken advantage of any of the company benefits?

Yes, I am a keen sailor and volunteer as sea staff with Ocean Youth Trust Scotland. I normally do at least a week each year and put my paid charity day towards that (http://oytscotland.org.uk/).

In addition, I always take up the opportunity of a week’s unpaid leave in addition to my paid holiday.

Global Graphics Software has also supported me over the years in achieving my personal goals. I have been studying Japanese as a hobby with Manchester University since 2015, and last year I was able to spend two months working in our Tokyo office which greatly benefited my Japanese. I just got my final exam results and am very pleased to say I passed!

What keeps you here?

Working here gives me an opportunity to work on the type of problems that I enjoy solving, with friendly colleagues who are highly motivated to do a great job. I feel my work is appreciated and relied on. Recently Global Graphics Software has been getting into a variety of new areas such as multi-level screening and inkjet technologies, and that can only mean more opportunities in the future.

 

If you’re interested in joining Global Graphics Software visit our web page to find the latest vacancies: www.globalgraphics.com/careers

 

 

What’s new in Harlequin Version 12?

Yesterday saw the launch of the latest version of the Harlequin RIP®. It’s the first major PDF RIP for production printing to offer compatibility with the PDF 2.0 standard and is packed with features for high-speed digital printing, including Advanced Inkjet Screens™ that improve output quality, further additions for labels and packaging applications, and new features for wide format and envelope printing.

Check out the video, where Global Graphics CTO Martin Bailey introduces Version 12 and highlights compatibility with PDF 2.0, dynamic overlays and In-RIP bar code generation:

You’ll also find more information on our website: https://www.globalgraphics.com/globalgraphics-software/products/harlequin-host-renderer-sdk

 

What do you really need in a RIP to drive a digital press in labels & packaging?

In this latest post, Global Graphics CTO Martin Bailey goes back to basics and explores what you need in a RIP to drive a digital press for labels & packaging.

Martin highlights rendering your jobs correctly, color management with CMYK inks and spot colors, PDF layering and technical separations, and provides a high-level view of the features of the Harlequin RIP® for digital labels and packaging.

Watch Martin’s presentation here:

Follow us on Twitter: @Global_Graphics

Harlequin RIP helps to drive the new HP Production Pro for Indigo Labels & Packaging

Our corporate communications director, Jill Taylor, talks to Roy Faigenbloom of HP Indigo at Labelexpo Europe last month about the new digital front end driving the HP Production Pro for Indigo labels & packaging.

HP Indigo chose the Harlequin RIP as the RIP engine in this new DFE, which has been designed to drive all HP Indigo digital labels and packaging presses and has been rated as 5x faster than the previous DFE.

 

See you at Labelexpo Europe 2017!

Visit us at Labelexpo Europe 2017 - Stand 9B17

With Labelexpo Europe 2017 less than a week away, it won’t be long before we start to pack the car and head off on the Eurostar to Brussels.

It’s going to be an exciting show for us this year, with some key announcements from our major OEM customers – we’re looking forward to supporting them and demonstrating our technologies.

If you have to create a digital front end but don’t know where to start, come and talk to us. With Fundamentals, we’ll show you how you can bring your digital inkjet label press to market quickly and easily. Our BreakThrough Technical Services team will also be on hand to answer your questions from color management to screening.

We also have some new features for labels and packaging in the Harlequin RIP® to show you, including controls for deciding when to blend emulated spot colors with process colors for exceptionally accurate brand color matching, and extended controls over PDF layers so that optional content used in process control can be individually switched on or off.

We’ll be on Stand 9B17, so please stop by and say hello. If you’d like to book an appointment, simply contact us: sales@globalgraphics.com.  In the meantime, we’ve made this short video to whet your appetite. Enjoy!

 

 

Fancy a test drive of the new Harlequin v11 at drupa 2016?

One of the many highlights of our drupa stand will be the new Harlequin RIP. We asked Martin Bailey, CTO at Global Graphics, to tell us more about it. He told us that there are a host of new features to improve inkjet output quality including richer, multi-level screening controls, more controls for variable data printing, and new features for labels and packaging applications. Hear his summary in this video:

Fancy a test drive? Join us at drupa 2016, Stand 70 B21/C20 in the dip. Simply contact us to book a demonstration.

Stay tuned for more announcements over the next couple of weeks.

Preparing for the Inkjet Conference 2015

Making progress in half-tone screening technology – our samples are ready to display!

We’re really looking forward to the Inkjet Conference in Düsseldorf next week. Global Graphics’ CTO, Martin Bailey, will be speaking at the conference and focusing on the problems inkjet vendors have encountered when printing on high-speed inkjets, particularly with regard to optimum image quality and droplet placement.

With this in mind, for the last few months we’ve been working with a number of inkjet press manufacturers to develop entirely new half-tone screening technology for presses that can vary the amount of ink delivered in any one location on the media. We’ve just received our sample prints to show you at the Conference and we’re really pleased with the results – you can see the improvement immediately.

The samples show typical ‘before and after’ scenarios: The ‘before’ samples are quite noisy and show mottle and puddling; the ‘after’ samples, printed with Global Graphics screening technology, show much smoother gradients where we manage the transition of droplet size in multi-level heads.

We have also prepared sample prints showing what the output looks like with no tuning on: They show noise and steps in gradients for multi-level output, then we demonstrate what happens when we use transition points of drop size when using inks such as white, orange and violet in the colour spectrum.

Look out for Martin at the Conference and drop by our table in the IJC Networking Arena to see the prints for yourself.

If you are interested in the benefits of half-tone screening on high-speed inkjets and would like to join our research programme, watch our video here for more information: https://www.youtube.com/watch?v=WNrSbb46efg.

Alternatively, contact Martin Bailey directly: martin.bailey@globalgraphics.com

Read Martin’s abstract here:
http://www.globalgraphics.com/company/events/#ijc

New Flexo screens give premium print quality

HXMFlexo screens
Bump up curves in Harlequin’s new flexo screens help pre-press operators achieve smooth gradations even in high-key images.

Our Harlequin product team has launched a set of hybrid screens specially developed to give premium quality in flexo work.

The screens address the well-known issues of how to achieve high-quality in the highlight areas of images, such as tones close to white or skin tones, and how to print those areas with smooth gradations.

“We used the Harlequin Cross Modulated™ screens as the basis for development and have expanded the number of screens and included a mechanism to auto select calibration that goes with a particular screen,” comments Martin Bailey, CTO, Global Graphics.

“With the new Harlequin Cross Modulated Flexo (HXMFlexo) screens you can produce high-quality graphical objects by selecting from a wide choice of screen resolutions, rulings and dot sizes. Pre-press operators also now have the ability to bump up curves at the highlight end to compensate for flexo not being able to produce tones close to white clearly, so you can achieve smooth gradations even in high-key images.”

The new screens are the result of working with our OEM partners in the flexo market who have used the Harlequin RIP for years and we’ve been able to take input from a variety of vendors to fine tune our plans.

HXMFlexo works with the latest editions of the Harlequin RIP.