Questions from the Inkjet Conference, Düsseldorf

The Inkjet Conference Düsseldorf has been and gone for another year and we’re already looking ahead to the 2019 events that will be organised by ESMA.

This year delegates in the audience were able to submit questions via an app for the first time. I’m grateful to the IJC for sending me the questions that we either didn’t have time to cover after my presentation, or that occurred subsequently. So here they are with my responses:

Is it possible to increase the paper diversity with software by e.g.  eliminating paper related mottling?

Yes, we have yet to come across a media/ink combination ScreenPro™ will not work well with. The major artefact we correct for is mottle. This may mean you can print satisfactory results with ScreenPro on papers where the mottle was unacceptable previously, so increasing the diversity of papers that can be used.

It sounds like ScreenPro is very good at tuning a single machine. How do you also then match that output quality among several machines?

There are two technologies in ScreenPro, the screening core itself with the Advanced Inkjet Screens (AIS), and PrintFlat™ to correct for cross web banding. ScreenPro generally improves print quality and Mirror and Pearl screens (AIS) work in the majority of screening situations. PrintFlat, however, needs to be tuned to every press and if the press changes significantly over time, if a head is changed for example, it will have to be recalibrated. This calibration actually makes subsequent ink linearization and colour profiling more consistent between machines as you have removed the cross-web density fluctuations (which are machine specific) from the test charts used to generate these profiles.

“We haven’t found ink or substrate that we couldn’t print with.” Does this include functional materials, such as metals, wood, rubber? or is it limited to cmyk-like processes?

No – with ScreenPro we have only worked with CMYK-like process colours, i.e. print that is designed to be viewed with colour matching etc. ScreenPro is designed to improve image quality and appearance. I see no reason why ScreenPro would not work with functional materials but I would like to understand what problems it is trying to solve.

What is the main innovation of the screening software in terms of how it works as opposed to what it can do?

“How it works” encompasses placing the drops differently on the substrate in order to work around common inkjet artefacts. The innovation is therefore in the algorithms used to generate the screens.

Advanced Inkjet Screens are standard in the ScreenPro screening engine


Avoiding the orange peel

When you speak frequently at industry events as I do, you can tell what resonates with your audience. So, it was very gratifying to experience the collective nodding of heads at the Inkjet Conference in Neuss, Dusseldorf this week.

I gave an on update mitigating texture artifacts on inkjet presses using halftone screens.

You see, it turns out that there is more commonality between inkjet presses than we previously thought. I’m not saying that there is no need for a custom approach, because there will always be presses with specific characteristics that will need addressing through services like our BreakThrough engineering service.

What I am saying is that we’ve discovered that what matters most is the media. And it gives rise to two distinct types of behavior.

On reasonably absorbent and/or wettable media drops tend to coalesce on the substrate surface in the direction of the substrate, causing visible streaking especially in mid and three-quarter tones. These issues are amenable to correction in a half tone.

Whereas on non-absorbent, poorly wettable media such as flexible plastics or metal, prints are characterized by a mottle effect that looks a bit like orange peel. 

This effect seems to be triggered by ink shrinkage during cure. This can be corrected with a halftone with specially designed characteristics. We have one in test on real presses at the moment.

So it won’t be long now before we introduce two advanced screens for inkjet that will greatly improve quality on the majority of inkjet presses. One to counteract streaking. The other to counteract the orange peel effect. And the next project is to address non-uniformity across the web. Fixing that in software gives you the granularity to address every nozzle separately on any head/ electronics.

And for those presses aforementioned with unique properties that need special tuning? Our Chameleon design tools can create unique halftones for these cases.

I do like it when a good plan comes together!

Preparing for the Inkjet Conference 2015

Making progress in half-tone screening technology – our samples are ready to display!

We’re really looking forward to the Inkjet Conference in Düsseldorf next week. Global Graphics’ CTO, Martin Bailey, will be speaking at the conference and focusing on the problems inkjet vendors have encountered when printing on high-speed inkjets, particularly with regard to optimum image quality and droplet placement.

With this in mind, for the last few months we’ve been working with a number of inkjet press manufacturers to develop entirely new half-tone screening technology for presses that can vary the amount of ink delivered in any one location on the media. We’ve just received our sample prints to show you at the Conference and we’re really pleased with the results – you can see the improvement immediately.

The samples show typical ‘before and after’ scenarios: The ‘before’ samples are quite noisy and show mottle and puddling; the ‘after’ samples, printed with Global Graphics screening technology, show much smoother gradients where we manage the transition of droplet size in multi-level heads.

We have also prepared sample prints showing what the output looks like with no tuning on: They show noise and steps in gradients for multi-level output, then we demonstrate what happens when we use transition points of drop size when using inks such as white, orange and violet in the colour spectrum.

Look out for Martin at the Conference and drop by our table in the IJC Networking Arena to see the prints for yourself.

If you are interested in the benefits of half-tone screening on high-speed inkjets and would like to join our research programme, watch our video here for more information:

Alternatively, contact Martin Bailey directly:

Read Martin’s abstract here: